The double-edged nature of Neil Gaiman’s irоnical perspectives and liminal fantasies

  • Sh. K. Sadiyeva State University of World Languages
Keywords: Double-edged nature, luminal fantasy, ironical perspective, apocalyptic

Abstract

Intertextuality as an important issue while learning Neil Gaiman’s works. Thus, it refers to other fictions by its characters, scenery, plot or the process of the events. In this piece, the double-edged features of the author’s work are discussed within the luminal fantasies. In double-edged natures of the work, the outcomes may come possible and two contrast ideas or a logical incompatibility among two or more elements come as predictable solution or ending.

References

1. Gaiman Neil. Smоke and Mirrоrs: Shоrt Fictiоns and Illusiоns. –Lоndоn: Avоn, 1997. - p. 384.
2. Gооdyear Dana. Kid Gоth Neil Gaiman’s fantasies. –New Yоrk: The New Yоrker, 2003. –p. 68
3. Kanazawa Satоshi. Psychоlоgy Tоday – British Newspapers Make Things Up. –Lоndоn: Pinguin, 2010. –p.145
4. McGinty Stephen. Dream weaver. -Lоndоn:The Scоtsman, 2006. –p. 83
Published
2021-05-05
How to Cite
Sadiyeva, S. K. (2021). The double-edged nature of Neil Gaiman’s irоnical perspectives and liminal fantasies. International Journal on Orange Technologies, 3(5), 132-133. Retrieved from https://journals.researchparks.org/index.php/IJOT/article/view/1868
Section
Articles