Continuation of the Andijan Main Traditions

Temirov Murodjon  Anvarovich; Abdujalilov Abduvohid  Abdujamilovich; Ruziev Nuriddin  Mukhamadalievich

doi:10.31149/ijot.v3i12.2550

Temirov Murodjon Anvarovich Teacher of the department of “Art and engineering graphics”, ASU
Abdujalilov Abduvohid Abdujamilovich Teacher of the department of “Art and engineering graphics”, ASU
Ruziev Nuriddin Mukhamadalievich Teacher of the department of “Art and engineering graphics”, ASU

DOI: https://doi.org/10.31149/ijot.v3i12.2550

Keywords: Ceramics, color, black clay, applied arts, color science, crafts, factor, porcelain, potter's wheel

Abstract

It was noted that one of the most important tasks is to get acquainted with the meaning of the Andijan pottery traditions, their compositional solutions in color and shape, the physiological and psychological strength of pottery traditions. The history of the Andijan pottery traditions, their connection with other pottery schools, scientific research, the study of pottery.The study of the theory of selected colors and psyche in the art of Andijan ceramics was taken as an object.

References

1. M. K.Rahimov. “Художественного керамикa” Uzbekistana. Darslik. Toshkent.1961– 249s.
2. A. Xakimov. Прикладное искусство Uzbekistana. “Традиции и инновации”
3. Tashkent. Yunesko. 2013. 211 b.
4. N. P.Navarro, M Piler. “Декоративная керамика, история” Moskva. 2005. 204b.
5. Marylin Scott. The potter’s bible. New YYork.2010.Avenue Suite 2006