The Role and Significance of Chorus in National Opera
June 17, 2023
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The article highlights the flowering of opera and choral art in Uzbekistan. Choral scenes in opera, which are the main means of musical dramaturgy, are important and occupy a very large place. People in opera are the main actors, many choruses and choral scenes, show genuine sincerity in expressing emotions and enliven the scene. The aim of the article is to reveal the role and importance of the chorus in the comprehensive development of Uzbek opera.
Rayetovich, G. R. . (2023). The Role and Significance of Chorus in National Opera. International Journal on Orange Technologies, 5(6), 7–10. https://doi.org/10.31149/ijot.v5i6.4502
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2. Khuraliyeva, M., & Orifjonov Husniddin Sohibjon, U. (2023). Art of Composers of Fergana Valley the Continuity and Endurance of Their Traditions. International Journal on Integrated Education, 6(1), 111-113.
3. Orifjonov Husniddin Sohibjon, U. (2023). The Role of Folklore and Ethnographic Communities of the Uzbek Intangible Cultural Heritage in the Musical Art. International Journal on Integrated Education, 6(1), 114-117.
4. Узбекская опера. Ян Пеккер. М.1984, С 90.
5. Husniddin, O. (2023). Traditions of Teacher and Student, Theoretical and Practical Harmony in Teaching Shashmakom. International Journal on Orange Technologies, 5(2), 20-25.
6. Rauf Kadirov "Popular musical glossary" Tashkent, 2016.
7. Khuraliyeva, M., & Orifjonov Husniddin Sohibjon, U. (2023). Art of Composers of Fergana Valley the Continuity and Endurance of Their Traditions. International Journal on Integrated Education, 6(1), 111-113.
8. Orifjonov, H. Operas That Contributed to the Emergence of Uzbek Opera. International Journal on Orange Technologies, 4(5), 11-18.
9. Rustam Abdullayev "Opera dramaturgy" Tashkent, 2007.
10. консерватория Узбекистана, Г. К ВОПРОСУ О НАЦИОНАЛЬНЫХ ОСОБЕННОСТЯХ НАРОДНОЙ И КЛАССИЧЕСКОЙ МУЗЫКИ УЗБЕКОВ Орифжонов ХС Email: Orifjonov17148@ scientifictext. ru.
11. Узбекский оперный театр. А.Корсакова. Т.,1961, С.12.
12. Орифжонов, Х. С. У. (2020). К вопросу о национальных особенностях народной и классической музыки узбеков. Проблемы современной науки и образования, (3 (148)), 109-111.
13. Sohibjonovich, O. K., & kizi, R. D. R. (2023). To Promote the Importance of Developing Folk and Traditional Performing Arts in Uzbekistan. International Journal on Orange Technologies, 5(4), 57-61. https://doi.org/10.17605/OSF.IO/D7PZH
14. Orifjonov H. S. The formation of Uzbek folk music and the way of progress // European Journal of Arts, 2023, №2. – С.15–19. DOI: https://doi.org/10.29013/EJA-23-2-15-19
15. Jabbarov. A "Composers and musicologists of Uzbekistan" Tashkent, 2004.
16. Orifjonov H. S. Characteristics of 21st century compositional creativity of Uzbekistan // European Journal of Arts, 2023, №2. – С. 38–42. DOI: https://doi.org/10.29013/EJA-23-2-38-42
17. Husniddin Soxibjon O‘G‘Li Orifjonov (2023). O‘ZBEK OPERA SAN’ATINING PAYDO BO‘LISHI VA RIVOJLANISHI. Oriental Art and Culture, 4 (2), 570-577.
18. Marifatkhon, K. (2021). To Form in the Minds of Students Studying in Higher Education Methods of Working with the Songs of Talqin and Nasr From the 1st Group Branches of Shashmaqom. International Journal on Orange Technologies, 3(12), 113-119.
19. Marifatkhon, K. (2022). TO TEACH HIGHER EDUCATION STUDENTS THE LIFE AND WORK OF ABDULAZIZ HOSHIMOV AND AKRAM HOSHIMOV. Gospodarka i Innowacje., 24, 931-934.
2. Khuraliyeva, M., & Orifjonov Husniddin Sohibjon, U. (2023). Art of Composers of Fergana Valley the Continuity and Endurance of Their Traditions. International Journal on Integrated Education, 6(1), 111-113.
3. Orifjonov Husniddin Sohibjon, U. (2023). The Role of Folklore and Ethnographic Communities of the Uzbek Intangible Cultural Heritage in the Musical Art. International Journal on Integrated Education, 6(1), 114-117.
4. Узбекская опера. Ян Пеккер. М.1984, С 90.
5. Husniddin, O. (2023). Traditions of Teacher and Student, Theoretical and Practical Harmony in Teaching Shashmakom. International Journal on Orange Technologies, 5(2), 20-25.
6. Rauf Kadirov "Popular musical glossary" Tashkent, 2016.
7. Khuraliyeva, M., & Orifjonov Husniddin Sohibjon, U. (2023). Art of Composers of Fergana Valley the Continuity and Endurance of Their Traditions. International Journal on Integrated Education, 6(1), 111-113.
8. Orifjonov, H. Operas That Contributed to the Emergence of Uzbek Opera. International Journal on Orange Technologies, 4(5), 11-18.
9. Rustam Abdullayev "Opera dramaturgy" Tashkent, 2007.
10. консерватория Узбекистана, Г. К ВОПРОСУ О НАЦИОНАЛЬНЫХ ОСОБЕННОСТЯХ НАРОДНОЙ И КЛАССИЧЕСКОЙ МУЗЫКИ УЗБЕКОВ Орифжонов ХС Email: Orifjonov17148@ scientifictext. ru.
11. Узбекский оперный театр. А.Корсакова. Т.,1961, С.12.
12. Орифжонов, Х. С. У. (2020). К вопросу о национальных особенностях народной и классической музыки узбеков. Проблемы современной науки и образования, (3 (148)), 109-111.
13. Sohibjonovich, O. K., & kizi, R. D. R. (2023). To Promote the Importance of Developing Folk and Traditional Performing Arts in Uzbekistan. International Journal on Orange Technologies, 5(4), 57-61. https://doi.org/10.17605/OSF.IO/D7PZH
14. Orifjonov H. S. The formation of Uzbek folk music and the way of progress // European Journal of Arts, 2023, №2. – С.15–19. DOI: https://doi.org/10.29013/EJA-23-2-15-19
15. Jabbarov. A "Composers and musicologists of Uzbekistan" Tashkent, 2004.
16. Orifjonov H. S. Characteristics of 21st century compositional creativity of Uzbekistan // European Journal of Arts, 2023, №2. – С. 38–42. DOI: https://doi.org/10.29013/EJA-23-2-38-42
17. Husniddin Soxibjon O‘G‘Li Orifjonov (2023). O‘ZBEK OPERA SAN’ATINING PAYDO BO‘LISHI VA RIVOJLANISHI. Oriental Art and Culture, 4 (2), 570-577.
18. Marifatkhon, K. (2021). To Form in the Minds of Students Studying in Higher Education Methods of Working with the Songs of Talqin and Nasr From the 1st Group Branches of Shashmaqom. International Journal on Orange Technologies, 3(12), 113-119.
19. Marifatkhon, K. (2022). TO TEACH HIGHER EDUCATION STUDENTS THE LIFE AND WORK OF ABDULAZIZ HOSHIMOV AND AKRAM HOSHIMOV. Gospodarka i Innowacje., 24, 931-934.
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