The role of Painting in the Folk Art of Surkhandarya

  • Kamolov Iftikhor Bakhtiyorovich PhD of Karshi State University Head of the Department of Fine Arts and engineering graphics
  • Tilavov Askar Shodikulovich Karshi State University magistr
Keywords: floral geometric patterns, composition, pargor method, saffron

Abstract

The article provides information on the history of pictorial art in the folk art of secondary school students. Students will understand that painting is an inseparable, unique and elegant field of visual and applied arts. Painting continues to develop from history to the present day, echoing us from the labyrinth

References

I.B Kamolov, Features of the development of students' creative abilities in the process of vocational education - Young Scientist-2020

I.B Kamolov -Professional education of students studying jewelry: the theoretic basis "Science and world", 2013

I.B Kamolov RD Shadiev, Pedagogical model of professional education in jewelry art: basic parameters of the concept: “Austrian Journal of Humanities and Social Sciences”, № 11-12, Vienna

I.B Kamolov Major components and topics of disciplines according to the composition of jewelry as a pedagogical objective of the creative development of college art students - European journal of research and reflection in …, 2016

Published
2021-03-24
How to Cite
Kamolov Iftikhor Bakhtiyorovich, & Tilavov Askar Shodikulovich. (2021). The role of Painting in the Folk Art of Surkhandarya. International Journal of Human Computing Studies, 3(2), 26-28. https://doi.org/10.31149/ijhcs.v3i2.1419
Section
Articles