The evolution of poetic identity
Abstract
The article deals with the evolution of poetic identity of Anna Akhmatova on the examples of the early collections “Evening” (Vecher, 1912), “Beads” (Chetki, 1914), “White Flock” (Belaia Staia, 1917) in the aspect of subject, genre and style and with the perception of the poetess' works by intravital and contemporary critics.
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