Historical-Theory of Traditional Forms of Music

  • Gaziev Jobirkhon Jurakhanovich Namangan State University Teacher of the Department of music education
DOI: https://doi.org/10.17605/ijie.v4i12.2504
Keywords: Shashmaqom, Song, performer, art, scientist, music, brochure, tarona, performance

Abstract

A huge, invaluable spiritual and cultural heritage created by our ancestors for many centuries, the views of the Great Eastern scientists have been highlighted. Information on the status of shashmakom, Khorezm, our national music art is presented. Historical sources refer to the changes in the musical culture of Central Asia in the IX-XII centuries, written sources of Master musicologist scientists.

References

1. Semenov A.A. Central Asian treatise on music by Darvish Ali (XYII century.) Summary of the Persian (Tajik) text with an introduction and an index. Tashkent, 1946.
2. Hafny M.Ibn Sinas Musirlehre hauptsfchlich an seinem “Nagat” erlautert. Ntbst Ubersetzung und Herausgabe des Musikabschnittes des “Nagat”. Berlin, 1931.
3. Ibroximov A. Space and space. - T.: "Movarounnapr" 1996. - It's 72B.
4. Matekubov O. The megomot. - T.: Edition of "Musika". 2004 - - 424b
5. Rajabov I. The authorities. Preparing for publication and special editor Agilkhon Ibrahimov. The T.: "Art", 2006.
6. Rajabov I.The R. On the issue of status. The T.: "Uzadabiynashr", 1963.
7. Karamatov F. M. The heritage of the Uzbek people. The twentieth century. 1-book. Volume., 1978, 1982. Uzbek people's zardanzligi. Developer E. Romanovskaya. 1-2 books. Volume., 1939.
Published
2021-12-17
How to Cite
[1]
Jurakhanovich, G.J. 2021. Historical-Theory of Traditional Forms of Music. International Journal on Integrated Education. 4, 12 (Dec. 2021), 135-138. DOI:https://doi.org/10.17605/ijie.v4i12.2504.
Issue
Vol. 4 No. 12 (2021): IJIE
Section
Articles

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