The Relevance of Traditional Singing and its Place in Higher Education
Keywords:
Uzbek folk, Classical music, Folk music art, Musical heritage, Shashmaqom, Traditional performance, Traditional singing, Oral style, Uzbek classical music
Abstract
The purpose of teaching traditional singing in higher education is to develop students' learning skills in folk singing, to teach them to sing folk songs as a group and individually, and to form makom groups. It is about imparting excellent knowledge and leadership skills to the team.
This article discusses the role and relevance of traditional singing in higher education today.
References
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11. Kadyrov D. "Working on hijabs and ornaments in the formation of students' singing skills." Pedagogical education. Number 6. 2017.
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14. Rajabov I. “Statuses”. - T., 2004
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18. Khojamkulov P.B., Mamedyarov T.X. "A look at the art of Khorezm maqom". Angren 2008.
19. Yulchieva M. "Traditional solo singing". T .: "Science and technology". 2017
20. Yusupov M. “Khorezm maqoms”. Volume 2 Part 1. Navo. Tashkent. Gulom Publishing House of Literature and Art. 1982
2. Mirziyoyev Sh.M. Resolution "On measures to further develop the Uzbek national maqom art". November 17, 2017.
3. Address of the President of the Republic of Uzbekistan Shavkat Mirziyoyev to the Oliy Majlis. // "Khalq so'zi" newspaper, December 23, 2017 issue.
4. Resolution of the President of the Republic of Uzbekistan dated November 17, 2017 "On measures to further develop the art of the Uzbek national maqom" .// "Khalq so'zi" newspaper, November 18, 2017
5. Action Strategy for the development of the Republic of Uzbekistan in 2017-2021 in five areas. // Collection of Legislation of the Republic of Uzbekistan. 2017 6 (766) - issue, pages 25 - 50.
6. Matyaqubov Sh. “History of Traditional Performance” - T., 2015
7. Matyaqubov Sh. "Teaching Methods in Traditional Singing". T., 2015
8. Matyoqubov O. “Maqomot”. Music Publishing House, Tashkent, 2004.
9. Matyokubov O. "Khorezm dutar maqoms and six and a half maqoms". Tashkent 2018
10. Obidov D.N. Dissertation on "Development of Uzbek classical music". Urgench 2018. 41 bet.
11. Kadyrov D. "Working on hijabs and ornaments in the formation of students' singing skills." Pedagogical education. Number 6. 2017.
12. Kasimova H. Traditional hafiz art (solo singing) Textbook for art, culture colleges and academic lyceums. "Voris-Nashriyot" Tashkent - 2007.
13. Rajabov I. "On the issue of status." - T .: Uzadabiynashr. 1963
14. Rajabov I. “Statuses”. - T., 2004
15. Safarov O. “Melodies of Shashmaqom homeland”. T: 2008
16. Uspenskiy V.A. "Shashmaqom". Moscow. 1924
17. Vohidov R. "Bobur we knew and did not know". T., 2000.
18. Khojamkulov P.B., Mamedyarov T.X. "A look at the art of Khorezm maqom". Angren 2008.
19. Yulchieva M. "Traditional solo singing". T .: "Science and technology". 2017
20. Yusupov M. “Khorezm maqoms”. Volume 2 Part 1. Navo. Tashkent. Gulom Publishing House of Literature and Art. 1982
Published
2022-02-22
How to Cite
[1]
Abdumutalibovich, M.A. 2022. The Relevance of Traditional Singing and its Place in Higher Education. International Journal on Integrated Education. 5, 2 (Feb. 2022), 212-216. DOI:https://doi.org/10.17605/ijie.v5i2.2755.
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