Image of Navai and Artistic Interpretation in the Drama "Navai and Baykara"

  • Gulbahor Ashurova Head of the Fuzuli Research Center, Associate Professor of the Tashkent State University of the Uzbek Language and Literature named after Alisher Navai, Candidate of Philological Sciences
DOI: https://doi.org/10.17605/ijie.v5i9.3493
Keywords: Drama, historicity, image, artistic interpretation, reality of life, historical images, fictitious images

Abstract

This article is devoted to the issue of creating historical dramas in Uzbek literature, the assessment given by him, the features of the representation of the image of Navai in Uzbek dramas of the period of independence. In particular, the issue of artistic interpretation of the image of Navai in the drama of Muhammad Ali "Navai and Baikara" is covered in detail.

References

1. Fitrat. Selected works. Volume 3. Dramas, journalistic articles. H. Boltaboev, editor and commenter. - Tashkent, "Spirituality", 2003, pp. 243-244. (book page 256)
2. B. Nazarov. Fitrat. // History of Uzbek literature of the XX century. - Tashkent. Teacher, 1999, p. 131. (article on pp. 113-136).
3. Rizaev Sh. Look. "Spiritual Conversions: Plays and Articles". - Tashkent, Gafur Ghulam publishing house, 2008. p. 4-33.
4. Sirojiddinov Sh. Alisher Navai. Comparative-typological, textual analysis of sources. - Tashkent, "Academic Edition", 2011.
5. Aibek. Navai. East. Tashkent. 2012. P. 5, Naim Karimov. Aibek's masterpiece. East. Tashkent. 2012. Page 490.
6. Jabbarov N. Sahibkiran of spiritual people. Literary publishing house, 2021. 254 p.
Published
2022-09-27
How to Cite
[1]
Ashurova, G. 2022. Image of Navai and Artistic Interpretation in the Drama "Navai and Baykara". International Journal on Integrated Education. 5, 9 (Sep. 2022), 145-150. DOI:https://doi.org/10.17605/ijie.v5i9.3493.
Issue
Vol. 5 No. 9 (2022): IJIE
Section
Articles

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