Basic Concepts of Acting Psychotechnics in the School of Modern Acting Art

  • Urazmbetova Lizaxan Head of the department "Directing and acting" Nukus branch of Nukus, Branch of the State Institute of Arts and Culture of Uzbekistan
  • Ismaylova Maryash Associate Professor, Honored Artist of Uzbekistan
DOI: https://doi.org/10.17605/ijie.v4i4.1658
Keywords: Theater, acting, school, school of tradition, actor, stage theory, singers and ballet

Abstract

Each educator, while committed to the school of theatrical arts, develops his or her own style of teaching based on his or her many years of experience. This process is not intentional. Here, as we have said above, just as there are aspects of acting that are inherent in nature, so there are inherent aspects of pedagogy that are inherent in nature

References

Abdullayeva M. “Acting skills in dramatic theater and cinema” - “Tafakkurqanoti” publishing house-T .: 2014. 215 pages.

B.Ye. Zaxava. "Master's Actor and Director" Moscow 1978g. Pages 74-79.

KS Stanislavsky "The actor works on himself" pages 93-99.

Maxmudov J. “M.Chexov. "Actor's technique" - translation (2016) 254 pages.

Makhmudova H.-.- Text of exercises from the subject complex "Acting skills". -T., 2016 y. 65 pages.

John Benedict. The Actor's Work on Himself (KS Stanislavsky) -Routledge 2008. pp. 192-195.

S.P. Strakin “Grim” Moscow 1971.73 p.

M.Ismailov "Scene Makeup" 2004. 154 pages.

Published
2021-04-27
How to Cite
[1]
Urazmbetova Lizaxan and Ismaylova Maryash 2021. Basic Concepts of Acting Psychotechnics in the School of Modern Acting Art. International Journal on Integrated Education. 4, 4 (Apr. 2021), 182-187. DOI:https://doi.org/10.17605/ijie.v4i4.1658.
Issue
Vol. 4 No. 4 (2021): IJIE
Section
Articles

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