To the Question of the Origin of the Piano Sonata in Uzbekistan

  • Sidikova Aliya Maratovna University lecturer Musical education, Art history Andijan State University, Uzbekistan, Andijan University
DOI: https://doi.org/10.17605/ijie.v4i11.2418
Keywords: Uzbek piano sonata, composer, Georgiy Mushel, Sabir Babaev

Abstract

The piano sonate has repeatedly become the subject of studies of scientists from different countries. It was analyzed in detail the genre peculiarity of the sonata, its style and composite features found at different historical stages of development. Scientists largely attracted the shaped world of the Sonata of composers of the past and present as an extensive sphere of emotional and spiritual and intellectual embodiment of their own ideas, thoughts and feelings. In the history of modern piano literature, Sonata genre takes a relatively modest place. Few of the composers of the late XX - the beginning of the XXI century regularly refers to this genre and has a large number of Sonate in his "portfolio". It is not an exception and creativity of composers of Uzbekistan, most of their preference to other genres and forms.

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Published
2021-11-29
How to Cite
[1]
Maratovna, S.A. 2021. To the Question of the Origin of the Piano Sonata in Uzbekistan. International Journal on Integrated Education. 4, 11 (Nov. 2021), 214-217. DOI:https://doi.org/10.17605/ijie.v4i11.2418.
Issue
Vol. 4 No. 11 (2021): IJIE
Section
Articles

Copyright (c) 2021 Sidikova Aliya Maratovna

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